Tag Archive for 'Anime'

Price Per Episode — The Great Devaluing of Anime

I am angry again.

The second series of The Melancholy of Haruhi Suzumiya is being released in the United States. This is a good thing. The licensees, Bandai Entertainment USA, are giving it the same care and attention that the first series received, including a proper, full-cast English translation. This is a great thing.

And the whole 14-episode series can be had for under £40.1

This is a brilliant thing.

There are some people, however, who have chosen to throw a wobbly over this last point.

If you’ve seen the series, you’ll be familiar with the Endless Eight storyline. The characters are trapped in a time loop for eight episodes. Instead of running the same episode eight times, the producers handed the same source material to eight different teams, who each produced a similar yet slightly different episode. These were broadcast over a period of two months. Viewers complained that it was a waste of schedule. Now, people are complaining that it’s a waste of money.

I used to measure the value of anime videos in terms of “price-per-episode”: the price of the video divided by the number of standard 25-minute episodes included. Overall, this isn’t a fair measurement system — it doesn’t take into account bonus features, quality of translation or distribution medium — but for the purpose of this blog post, it’s as good an indicator as any.

So. £40 for 14 episodes. That’s about £2.85 per episode. “But Endless Eight was just the same episode over and over again,” you cry. No it wasn’t, I reply, but let’s go with it anyway. The Endless Eight are now one. £40 divided by seven episodes. £5.70 an episode. That’s not too bad, I reckon.

But it is here that we discover the problem. Apparently, £5.70 per episode is too bad.

All of a sudden, anime is just too expensive. People are up in arms about the recommended retail price of Haruhi series 2 — how DARE they charge this amount of money for this amount of content! — despite the price of anime in the UK and the USA now being cheaper than ever. It was just a few years ago, in fact, that I bought my first four-episode volume of My-HiME for £20. If people are complaining about spending more than a quid or two on a single episode, English-speaking anime fandom has surely lost its way; for years, £5 per episode was considered a fair asking price for a professionally-produced anime translation. (I’m sure that older fans will tell me how it was “even worse” in their day.)

But even that’s not enough.

Just a couple of weeks ago, I bought copies of the Magipoka boxsets. As it doesn’t have a proper English release, I had to import them from Japan.

4 episodes to a set, plus one DVD-exclusive bonus short episode each.

All together, I got about 13-or-14 episodes’ worth of content. All together, it cost me £242.70.

£242.70. That’s £18 per episode.

Let’s look at a more contemporary example. The first volume of the popular new anime series Angel Beats! just went on sale in Japan. It’s done incredibly well; even in its first day on sale, over fifteen thousand copies were sold.

The first volume contains 2 episodes and costs ¥5250. Assuming that you don’t want to splash out on limited-edition bundles or Blu-ray discs, you’re looking at £20 per episode. No translations. No bonus features beyond an equally untranslated commentary track. No frills.

Angel Beats! isn’t even that expensive. K-ON! is dearer. Haruhi Series 2 is dearer still. Don’t believe me? See for yourself.

You see, in Japan, when you buy an anime DVD for the domestic market, you’re not just paying for the right to watch a couple of episodes on your television. You’re funding the series. Next to sponsorship deals, domestic DVD sales are the main source of income for anime producers.

Some English anime consumers complain that the prices of anime DVDs should be brought in line with the average costs of locally-produced television series sets before they’d consider buying them. This point of view doesn’t take into account the fact that British and American television shows tend to be commissioned by a broadcasting corporation or suchlike, while anime producers have to pay the Japanese TV stations to get their shows on the air. It’s only through merchandise and DVD sales that the average anime series can break even, let alone make a profit.

Needless to say, with English-language anime DVD prices as cheap as they are, the anime producers themselves don’t see overseas earnings as being particularly significant. Don’t get me wrong — every officially-licenced English-langage DVD purchase results in royalties going back to the original producers — but your purchase also subsidises license costs, translation costs, marketing costs and so forth on the English-speaking side. Imagine how the revenue shares for each purchase are split. Imagine how little each party must receive.

Sadly, this undervaluing of anime is happening among the licensees themselves. Companies like FUNimation release slim boxsets for peanuts and dump anime series on their website for viewing at no charge to the consumer. While you may think that a copy of Kanon for £13.03 (54p per episode!) is a good thing, consumer demand for cheap-as-free anime will soon cause the major companies to stop making profits, declare bankruptcy and cause the Great Cheap Anime Bubble to implode spectacularly. That’s my theory, anyway.

Let’s step back and take this all into account. A 14-episode series can set you back up to £300 if you live in Japan. In North America, however, you get the same content for only £40; maybe even less. Even in the glory days of £5 an episode, you were paying 25% of the original asking price. Now the English price-per-episode is less than 15% — or, in the case of the 54p-per-episode Kanon, less than 4%2 — of what a Japanese fan would pay. And that’s not even taking into account all of the lovely extra features, like, for example, a full English translation, that you don’t get in the Japanese release.

So, Haruhi fans, what’s it going to be? £320 for the regular edition of series two? £382 for the limited edition of series two? Or £40 for a special, English-language 14-episode collection with bonus features, lovingly put together by people who love the series just as much as you do?

If you’re still not convinced, I can’t force you. If you don’t think that it’s worth the asking price, don’t watch it. If you’ve got better things to spend your money on, spend your money on them instead. You don’t have to watch anime, you know. ㋼

Prices for Japanese DVDs were taken from CDJapan. XE and Wolfram|Alpha were used for currency conversion and calculation.

  1. At time of writing, the complete series set can be pre-ordered from RightStuf for $58.74 (postage inclusive), which comes to about £39.24. []
  2. Eight Japanese DVD volumes at ¥6300 each ≈ £375. Incidentally, the Blu-ray disc edition is ¥62580, or £466.83. []
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Kiddy Girl-and [Kiddy Grade 2] — How We Became Friends

Recently, some copypasta sauce spread over an Internet or two proposed that there are two types of anime fans. The first type enjoys story, substance and animation quality et cetera, and the other kind enjoys lighter, character-driven series and doesn’t care so much about where the story is headed.

Like most generalizations, this is complete rubbish.1 Different people like or dislike different things for different reasons. There are several qualities that may make a series seem good or bad, each entirely subjective. At least, that’s an idea. By my reckoning, likes and dislikes (in my case, at least) occur more-or-less at random. But I digress.

About a year ago, the sequel to Kiddy Grade, which had previously existed only as a pilot episode and some sketches, was greenlit for a full-fledged series. Now, I believe that Uta∽Kata is the best non-Giant Robo anime ever made, so although I wasn’t the biggest fan of the original Kiddy Grade I was really looking forward to this new series from gímik, the production triforce behind all aforementioned (non-Giant Robo) titles. I even made a blog post anticipating it!

It didn’t live up to my hype. Of course it didn’t. Things tend to not. But I continued watching. I sat through episodes filled with in-jokes and references that remain impenetrable to anyone who doesn’t spend most of their life on Nico Nico Douga. Sure, there was plot, centimetring away under the everyday antics of the maids-who-are-actually-secret-agents, but it lacked the interconnectedness of Kiddy Grade, the subtle foreshadowing of Uta∽Kata.

One (half-)episode was nothing but a string of Lucky☆Star-esque voice actor-related gags. I’ve said that the presence of Norio Wakamoto is never a bad thing, and, well, it wasn’t. But I maintain that it was a thoroughly pointless episode; it introduced no new running characters, had no effect on the overall storyline and was never mentioned again.

But I persisted.

I’d watched the original Kiddy Grade. I’d watched Uta∽Kata. I knew that we were being lulled into a false sense of security, building to a massive plot turnabout.

And then it happened. Two major characters died, leaving our heroines without idols/mentors. Sad. Moving.

Meh, I thought.

It seemed that after eight or so episodes of nothing really happening, attempts to shake up the formula didn’t faze me. Maybe I thought that it should’ve been this way from the start. Maybe I was just in a bad mood that day. Either way, the series did become generally less painful to watch after this point, even though the overlying plot still didn’t make much of an effort. You could say that I had the mindset of a “Type A” anime fan at this point.

After an episode of mourning, episode 11 gave us a look into the lifestyles of the antagonists. (There are a bunch of characters in this show.) I thought it was a great episode; it may’ve been low on plot, but it was low on unfunny gags, too. Plus, we got to know the bad guys a lot better. They have feelings and stuff! Who’d've thought it?

Episode 12 added some much needed plot, featuring some well-appreciated continuity in the form of acknowledging the original series, revealing what happened to the principal members of the original cast and definitively linking both storylines. This is it, I thought. The halfway point in the series where everything changes. From now on, everything’ll be deadly serious.

The next episode was a beach episode.2

As beach episodes go, it was okay. It turns out that some computer broke down which trapped them there and they had to fix it or blow it up or something in order to save everybody. But the story isn’t why I find it notable. (No, neither was the mandatory dress code.)

As this episode played out, I found myself emotionally connecting with the main characters. I smiled along with them, cheered them on; they looked so cool in the denouement when they defeated the whatever-it-was terrorising the other characters that they were keeping their ES-Member-status a secret from until now.

And it was then that I realised that, for perhaps the first time ever, I wasn’t watching a show for the story. Sure, I enjoyed the plot and I continue to look forward to seeing where it goes, but that’s not why I care.

Over twelve hit-and-miss episodes, I had shared the adventures of these two girls. Together, we dealt with the strange situations that we were placed in, and, with time, it almost felt like we had become friends. It didn’t matter that they just happened to be a pair of young, good looking female-types; it was their personalities, not their bodies, that won me over. Going back over the older episodes looking for screenshots for this post, I found myself appreciating the show a lot more now that I knew.

I cared for these characters more than I cared for the series that brought us together.

And I still managed to write this whole post without mentioning their names. ㋼

  1. “Every generalization is false, including this one.” – Mark Twain []
  2. Technically a holiday resort episode. []
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BREAKING NEWS: gímik To Produce New Series

Kiddy Girl-and

This is big, guys. gímik {sic}, the three-kin anime powerhouse behind such series as Kiddy Grade and UtaKata, are working on a new show. For real, it seems. It’s a spinoff of the aforementioned Kiddy Grade franchise, and it is to be entitled “Kiddy Girl-and”. I kid thee not (pun not intended). Much thanks to my Twitter followers who alerted me of this, and to the Anime News Network for discovering it in the first place. Man, this gives me a great idea for a blog post: a gímik retrospective. Just as soon as I’ve finished watching Gigantic Formula. And, come to think of it, Kiddy Grade itself. I’d better make preparations for a marathon showing…

EDIT: Shiroi Hane, to whom I give credit for promoting gímik awareness across the English-speaking world, has mentioned us on his blog. Wow… *sniff* I’m so moved. Has this blog hit the big time already?

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